About Alibi
Alibi refers to the absence of an act, and the Alibi series records the unnoticed gestures that slip through the sameness of everyday life. By refusing the tendency to overlook present sacrifices or ignore one’s own traces—including mistakes—the work chooses instead to reveal the marks left on soft clay rather than erase them. It is an attempt to acknowledge and respect every moment of the present equally.
The Alibi series unfolds in three parts: the first addresses childhood, the second the dismantling of a home, and the third the theme of love. When shaping any form, there is always a sequence of actions, and inevitably, fingerprints and marks remain. By repeatedly filling and erasing these impressions with pigment, I create surfaces that expose the gaps and seams left behind.
What I aim to express through these traces is that passing gestures do not disappear—they remain embedded in the present. The work is ultimately about immersion in the current moment, grounded in the belief that to live in the present is itself a way of caring for the space and time given to us.
Painting
Baptism 100X80cm acrylic, ink, charcoal 2025
Kyungui-joongang line, 53X65 cm acrylic, ink, charcoal 2025
A letter 100X80cm acrylic, ink, charcoal 2024
Ciganale 65.1.X80.3 cm, oil painting, ink, charcoal 2025
Line 4. 62X70 cm, acrylic and mixed media on canvas, 2025
Shopping. 91X120 cm, acrylic and mixed media on canvas, 2025
Line3. 60X70 cm, acrylic and mixed media on canvas, 2025
Mirror, 22X28 cm, acrylic and mixed media on canvas, 2025
Cherry, 28X22 cm, acrylic and mixed media on canvas, 2025
Plate, 28X22 cm, acrylic and mixed media on canvas, 2025
Yumin, 28X22 cm, oil painting and mixed media on canvas, 2025
Mary jane, 28X22 cm, water color, 2025
Studio,30X40 cm, acrylic and mixed media on canvas, 2025
Yamanote line, 53X66 cm, acrylic and mixed media on canvas 2025
Anthurium, 53X66 cm, acrylic and mixed media on canvas 2025
Flower, 53X66 cm, oil painting and mixed media on canvas 2025
Stusio, 60x80cm, oil painting and mixed media on canvas 2022
Alibi series
Alibi
Series3:
LOVE
Alibi series3: Love 병, 9x10x21(h)cm, ceramic, glaz
Alibi series3: Love 병, 26x7x26(h), ceramic, glaze
Alibi series3: Love 병, 20x4x28(h)cm, ceramic, glaze/ front
Alibi series3: Love 병, 20x4x28(h)cm, ceramic, glaze / back
Alibi series3: Love 병, 19x4x24(h)cm, ceramic, glaze/ front
Alibi series3: Love 병, 19x4x24(h)cm, ceramic, glaze/ back
Alibi series3: Love 병,28x5x31(h)cm, ceramic, glaze
Alibi series3: Love 병, 26x5x29(h)cm, ceramic, glaze/ front
Alibi series3: Love 병, 26x5x29(h)cm, ceramic, glaze/ back
Alibi series3: Love 병, 47x7x30(h)cm., ceramic, glaze
Alibi series3: Love 병, 40x7x25(h)cm, ceramic, glaze
Alibi series3: Love 병, 20x6x24(h)cm, ceramic, glaze
Alibi series3: Love 병, 53x12x25(h)cm, ceramic, glaze
Alibi series3: Love 병, 25x10x25(h)cm, ceramic, glaze /front
Alibi series3: Love 병, 25x10x25(h)cm, ceramic, glaze / back
Alibi series3: Love 병, 45x8x25(h)cm, ceramic, glaze
Alibi series3: Love 병,36x9x26(h)cm, ceramic, glaze
Alibi series3: Love 병, 34x7x21(h)cm, ceramic, glaze
Alibi series3: Love 병,40x6x25(h)cm, ceramic, glaze /front
Alibi series3: Love 병, 40x6x25(h)cm, ceramic, glaze / back
Alibi series3: Love 병, 20x4x27(h)cm, ceramic, 2024
Horse, 20x7x 24(h)cm, ceramic,glaze, 2024
병, 20x5x27(h)cm, ceramic, 2024
병, 20x5x27(h)cm, ceramic, 2024
Alibi series3: Love 병, 13x2x16(h)cm, ceramic, 2024
Alibi series3: Love 병, 16x2x17(h)cm, ceramic, 2024
Temple of, 20x6x18(h)cm, ceramic, glaze
The standing Earth
〈The Standing Earth〉 is a work that addresses the environment of the world—the ground itself—which exists prior to the accumulation of human actions. Shaping clay into ceramics is, in itself, an intuitive act of leaving a trace upon the world. This work presents a mass that embodies the act of building a life upon the ground.
The project began with an inquiry into how traces are accumulated while revealing the material qualities of soil and earth. By turning the ground—our foundation and place of dwelling—into an upright form, the work invites viewers to reconsider the background of the world upon which we leave our marks. Through this shift in orientation, the ground is no longer merely a surface beneath us, but a presence that asks to be consciously re-examined.
The standing earth, 55x12x62(h)cm
,stoneware, glaze, 2021
Trophy, stoneware, 2021
(from the left)
20x12x25(h)cm
27x15x35(h)cm
40x14x20(h)cm
Act, stoneware, glaze, led rail , 2021 43x43(h)cm
Act, stoneware, glaze, 43x41(h)cm, 2021
Heart on the ground,stoneware, glaze, 20x23x58(h)cm, 2021
Heart on the ground, stoneware, glaze, 20x23x40(h)cm, 2021
Sisyphus’s stone, stoneware, glaze, 50x40x48(h)cm, 2021
Envelope 50X60cm Korean paper, acrylic, ink, charcoal 2024
